By Lauren Klenow and Lacy Davisson Doyle
Here is a preview of the outstanding exhibitions on view in New York City this winter:
Best of NYC Museum Exhibitions
The Forever Now: Contemporary Painting in an Atemporal World
Museum of Modern Art, 11 W 53rd Street, New York
December 14, 2014 – April 5, 2015
Forever Now presents the work of 17 artists whose paintings reflect a singular approach that characterizes our cultural moment at the beginning of this new millennium: they refuse to allow us to define or even meter our time by them. A-temporality, or timelessness, manifests itself in painting as an ahistorical free-for-all, where contemporaneity as an indicator of new form is nowhere to be found, and all eras coexist. This profligate mixing of past styles and genres can be identified as a kind of hallmark for our moment in painting, with artists achieving it by reanimating historical styles or recreating a contemporary version of them, sampling motifs from across the timeline of 20th-century art in a single painting or across an oeuvre, or radically paring their language down to the most archetypal forms.
The exhibition includes works by Richard Aldrich, Joe Bradley, Kerstin Brätsch, Matt Connors, Michaela Eichwald, Nicole Eisenman, Mark Grotjahn, Charline von Heyl, Rashid Johnson, Julie Mehretu, Dianna Molzan, Oscar Murillo, Laura Owens, Amy Sillman, Josh Smith, Mary Weatherford, and Michael Williams.
Chris Ofili: Night and Day
The New Museum, 235 Bowery, New York
October 29, 2014 – January 25, 2015
Helena Rubinstein: Beauty is Power
The Jewish Museum, 1109 5th Avenue, New York
October 31, 2014 – March 22, 2015
This is the first exhibition to explore the ideas, innovations, and influence of the legendary cosmetics entrepreneur Helena Rubinstein (1872 – 1965). Madame (as she was universally known) helped break down the status quo of taste by blurring boundaries between commerce, art, fashion, beauty, and design. Through 200 objects Beauty Is Power reveals how Rubinstein’s unique style and pioneering approaches to business challenged conservative taste and heralded a modern notion of beauty, democratized and accessible to all. The exhibition reunites selections from Rubinstein’s famed art collection, dispersed at auction in 1966, featuring works by Pablo Picasso, Elie Nadelman, Frida Kahlo, Max Ernst, Leonor Fini, Joan Miró, and Henri Matisse, among others.
Downtown Galleries
Robert Kushner: baroque
DC Moore Gallery, 535 West 22nd Street, New York
January 8 – February 14, 2015
Gallery Talk with the Artist: Thursday, January 29, 6:30 PM
In this exhibition of new paintings, Kushner fuses plant forms with references to the global history of ornament to extend his exploration of the conceptual and political implications of the decorative. The scale of the paintings on canvas situates us in an immersive landscape where flora takes on the presence of sculpture. Kushner achieved the animate quality of individual plants, including quince, phlox, and Queen Ann’s lace, by working from life in Waldoboro, Maine. Memories of the Huntington Library Botanical Gardens, near his childhood home in California, inspired the renditions of cacti and aloe. Kushner’s inimitable use of color freely ranges across metallics, pastels, and near-neons. Textiles, Japanese screens, and modern painting inform these compositions and the play with space.
Mamma Andersson: Behind the Curtain
David Zwirner, 519 & 525 West 19th Street, New York
January 8 – February 14, 2015
Andersson’s work often draws inspiration from archival photographs, filmic imagery, theater sets, and period interiors. Her evocative use of pictorial space and her juxtapositions of thick paint and textured washes have a unique and timeless quality, which is further enhanced by a conspicuous absence of contemporary signifiers. Typically composed of thin layers of acrylic and oil paint on panel board, her paintings employ a broad range of techniques, deftly shifting between stark graphic lines to loose washes and thickly rendered brushstrokes. With their richly detailed and complex surfaces, the artist’s works stand as testaments to her deep engagement with the painterly process itself.
Warren Isensee: New Paintings and Drawings
Danese/Corey, 511 West 22nd Street, New York
January 9 – February 7, 2015
Jiri Georg Dokoupil: New Paintings
Paul Kasmin Gallery, 515 West 27th Street
New Paintings from January 8 – February 7, 2015

Ori Gersht On Reflection
CRG Gallery, 548 West 22nd St, New York
January 29 – March 14, 2015
Ori Gersht’s recent works examine how painting and photography represents reality. Gersht interacts with Jan Brueghel the Elder’s floral triptych from 1606, now in Vienna’s Kunst Historisches Museum. For Gersht, Brueghel’s painting and the city of Vienna embrace a certain sense of exuberant decadence and imperialism. A metaphor he connects to our own time. The mirror is a main element of this new body of work. By its nature, it raises the question of what is real and what is perceived as real.
Upper East Side Galleries
Richard Diebenkorn: The Healdsburg Years
Van Doren Waxter, 23 East 73rd Street
November 5, 2014 – January 16, 2015
Organized in collaboration with The Richard Diebenkorn Foundation, The Healdsburg Years, is the first solo exhibition devoted exclusively to works made during the final years of Diebenkorn’s life. The body of work Diebenkorn produced in his Healdsburg studio is intimately scaled. Diebenkorn approached each work and phase of his career with renewed curiosity, which is the constant thread in his dynamic creative process. Diebenkorn saw his creations as open-ended, relishing the unexpected that he embraced because it always propelled his work in new directions.
Jasper Johns: Sculptures and Related Paintings 1957-1970
Craig F. Starr Gallery, 5 East 73rd Street, New York
November 7, 2014 – January 23, 2015
This exhibition brings together some of the more rare works of the artist’s oeuvre. The combination of prints, drawings and sculptures in this exhibition draws attention to something not often mentioned in the extensive literature on the artist: the relationship between Mr. Johns’s two-dimensional works and his three-dimensional ones. Showing a tendency to pick a subject and then explore all its possibilities in different artistic media.
